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I am deeply grateful to my dear colleague Janet Ormrod who has kindly read and corrected my English translations of Greek or French testimonies. Thank you Janet!
I use accents and breathings in my writing because, first of all, I like them and love them; because I learned the Greek language that way, and language itself taught me how to write it, and that’s the way I interiorized it as “image” and as personal experience: with those small “wings” above letters... Personally I don’t intend to take leave of them and no ministerial law or “modernization” has ever been able to convince me that they are useless. For some things I have to object that they are useful precisely for their beauty —for their weirdness—, they are useful because they have tortured us a little, ever since our chilhood.
Nowadays, after having succeeded in merging the notions of “difficult” and “unpleasant”—and of course, the polytonic system was one of the first to be classified as “difficult”—we jumped at facility, and more generally upon flatness, and we can’t escape from it. Facility is a trap and flatness a swamp. (Translated by Y.H.)
Send us your opinions and experiences: why do you use the polytonic system? do you think that its re-introduction is necessary? what do you answer to followers of the monotonic system?